{"id":36367,"date":"2020-06-18T09:07:53","date_gmt":"2020-06-18T07:07:53","guid":{"rendered":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/?p=36367"},"modified":"2020-09-18T09:45:08","modified_gmt":"2020-09-18T07:45:08","slug":"entrevista-con-el-artista-abel-azcona-antiguo-alumno-de-la-easdp","status":"publish","type":"post","link":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/blog\/entrevista-con-el-artista-abel-azcona-antiguo-alumno-de-la-easdp\/","title":{"rendered":"Entrevista con el artista Abel Azcona, antiguo alumno de la EASDP"},"content":{"rendered":"\n<p>Pincha en esta direcci\u00f3n para ver la entrevista que ha realizado la EASDP con Abel Azcona:<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-content\/uploads\/2020\/09\/ABEL-AZCONA-entrevista-escuela.pdf\n<\/div><\/figure>\n\n\n\n<h3>Curriculum de Abel Azcona:<\/h3>\n\n\n\n<p>Su obra ha sido creada y presentada en importantes museos, instituciones y galer\u00edas de arte contempor\u00e1neo como el&nbsp;<strong>Arsenal de Venecia<\/strong>, el&nbsp;<strong>Museo de Arte Moderno de Bogot\u00e1<\/strong>, el&nbsp;<strong>Art League de Houston<\/strong>, el&nbsp;<strong>Museo Ramirez Villamizar<\/strong>, el&nbsp;<strong>Leslie Lohman Museum<\/strong>&nbsp;de Nueva York, el&nbsp;<strong>Museo Norte de Santander<\/strong>, el&nbsp;<strong>Centro de Arte Contempor\u00e1neo de M\u00e1laga<\/strong>, el&nbsp;<strong>Museo de Arte Moderno de Barranquilla<\/strong>, el&nbsp;<strong>C\u00edrculo de Bellas Artes de Madrid<\/strong>,<strong>&nbsp;el Museo de Arte Contempor\u00e1neo de Alicante<\/strong>&nbsp;o el&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>, que le dedic\u00f3 una exposici\u00f3n retrospectiva con una amplia selecci\u00f3n de su obra en el a\u00f1o 2014. Y en reconocidos eventos internacionales como la&nbsp;<strong>Bienal de Lyon<\/strong>, la&nbsp;<strong>Bienal de Arte de Asia<\/strong>&nbsp;en Dhaka y Taipei, el&nbsp;<strong>Festival Internacional de Performance de Miami<\/strong>,&nbsp;<strong>Bienal Tapa Tupada de Manila<\/strong>&nbsp;en Filipinas y&nbsp;<strong>Bienal de Performance de Santo Domingo<\/strong>&nbsp;en Rep\u00fablica Dominicana, as\u00ed como la&nbsp;<strong>Bienal de Arte Vivo de Bangladesh<\/strong>&nbsp;y la&nbsp;<strong>Bienal Internacional de Performance de Houston<\/strong>&nbsp;en Estados Unidos.<\/p>\n\n\n\n<p>Otras muestras del artista a tener en cuenta (selecci\u00f3n):&nbsp;<em>\u00datero<\/em>,&nbsp;<strong>Galerie Feu<\/strong>&nbsp;\u2013 Besan\u0107on, Francia, 2019; Abel Azcona I<em>&nbsp;La Herencia<\/em>,&nbsp;<strong>Instituto de Bellas Artes de Besan\u00e7on<\/strong>, Francia, 2019; Abel Azcona I&nbsp;<em>El deber de reincidencia del artista en el marco de asunci\u00f3n de desobediencia como posicionamiento<\/em>,&nbsp;<strong>L\u00b4El\u00e8ctrica<\/strong>, Palma de Mallorca, 2019;&nbsp;<em>Am\u00e9n<\/em>,&nbsp;<strong>Plaza Cuadrado<\/strong>, Palma de Mallorca, 2019; Abel Azcona I&nbsp;<em>El deber de reincidencia del artista en el marco de asunci\u00f3n de desobediencia como posicionamiento<\/em>,&nbsp;<strong>Espacio Inc\u00f3gnita<\/strong>, Murcia, 2019;&nbsp;<a href=\"https:\/\/www.vilaweb.cat\/noticies\/ampliacioabel-azcona-critica-la-manca-de-drets-humans-en-una-nova-exposicio-en-collaboracio-amb-veins-de-sant-fruitos-de-bages\/\">Abel Azcona I&nbsp;<em>El Primer Paso<\/em><\/a>,&nbsp;<strong>Sala de Exposiciones Sant Fruit\u00f3s de Bages<\/strong>, Barcelona, 2019;&nbsp;<a href=\"https:\/\/artsandculture.google.com\/exhibit\/iwKCEcZf5NtTIw?hl=es-419\"><em>Cuerpos Pol\u00edticos<\/em><\/a>,&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>, 2019;&nbsp;<em>El Vac\u00edo<\/em>,&nbsp;<strong>Pabell\u00f3n Espa\u00f1a Asian Art Biennale, National Art Gallery of Bangladesh<\/strong>, 2018;&nbsp;<em>La Muerte del Artista<\/em>,&nbsp;<strong>C\u00edrculo de Bellas Artes<\/strong>, Madrid, 2018;&nbsp;<em>Abel Azcona: \u00cdntim i Personal<\/em>,&nbsp;<strong>Nexe Espacio Cultural<\/strong>, Sant Fruitos de Bages, Catalu\u00f1a, 2018; Abel Azcona:&nbsp;<em>El artista que sobrevivi\u00f3<\/em>,&nbsp;<strong>Casa Baltazar<\/strong>, C\u00f3rdoba M\u00e9xico, 2018;&nbsp;<em>La Herencia<\/em>,&nbsp;<strong>Museo de Ciudad de M\u00e9xico<\/strong>, Ciudad de M\u00e9xico, 2018;&nbsp;<em>Empoderados<\/em>,&nbsp;<strong>Art Space M\u00e9xico<\/strong>, Ciudad de M\u00e9xico, 2018;&nbsp;<em>Memorias de un abandono: una visi\u00f3n retrospectiva de la obra biogr\u00e1fica de Abel Azcona 1988-2018<\/em>,&nbsp;<strong>Alianza Francesa de Manizales<\/strong>, Manizales Colombia, 2018;&nbsp;<em>La Verg\u00fcenza<\/em>,&nbsp;<strong>Centre del Carme Cultura Contempor\u00e0nea<\/strong>, Valencia, 2018;&nbsp;<em>Political (dis)order<\/em>,&nbsp;<strong>Espace dAM,&nbsp;<\/strong>Romaim\u00f4tier Suiza, 2017;<em>&nbsp;No Deseado<\/em>,&nbsp;<strong>Museo Universidad del Cauca<\/strong>, Popay\u00e1n, Colombia, 2017;&nbsp;<em>Naturaleza Muerta<\/em>,&nbsp;<strong>F\u00e0brica de les Arts Roca Umbert<\/strong>, Granollers\/Barcelona, 2017;&nbsp;<em>Naturaleza Muerta<\/em>,&nbsp;<strong>Fundaci\u00f3n Enric Miralles<\/strong>, Barcelona, 2017;&nbsp;<em>Los Padres<\/em>,&nbsp;<strong>Galer\u00eda Rafael Perez Hernando<\/strong>, Madrid, 2017;&nbsp;<em>La Extinci\u00f3n del Deseo<\/em>,&nbsp;<strong>La Juan Gallery<\/strong>, Madrid, 2017;&nbsp;<em>El Fill y La Puta,&nbsp;<\/em><strong>Espai d\u00b4Arts Roca Umbert<\/strong>, Granollers, Barcelona, 2017;&nbsp;<em>La Lluita,<\/em><strong>&nbsp;Museu Trepat de T\u00e1rrega<\/strong>, T\u00e1rrega, 2017;&nbsp;<em>268,&nbsp;<\/em><strong>CORPO Centro di Archiviazione e Promozione della Performing Art en Venecia<\/strong>, Isla de San Servolo Venecia, 2017;&nbsp;<em>MAGA,&nbsp;<\/em><strong>Defibrillator Gallery<\/strong>, Chicaco, Estados Unidos, 2017;&nbsp;<em>Week Rental,<\/em>&nbsp;<strong><em>Astro Inn,<\/em><\/strong><em>&nbsp;Houston,&nbsp;<\/em>Estados Unidos,<em>&nbsp;2017;&nbsp;Empathy &amp;&nbsp;Prostitution,<\/em><strong>Tulla Culture Center Tirana,<\/strong>&nbsp;Tirana, Albania, 2017;&nbsp;<em>La Primera Vez,&nbsp;<\/em><strong>Facultad de Bellas Artes San Carlos, Universitat Polit\u00e9cnica de Valencia<\/strong>, Valencia, 2017;&nbsp;<em>La linea de tu espalda<\/em><strong><em>,<\/em><\/strong>&nbsp;<strong>Museu &nbsp;L\u00b4Imaginari<\/strong>, Valencia, 2017; V<em>oyeur<\/em>,&nbsp;<strong>Art Space M\u00e9xico<\/strong>, Ciudad de M\u00e9xico, 2016;&nbsp;<em>Los Cuerpos<\/em>,&nbsp;<strong>Hell Gallery<\/strong>, Barcelona, 2016;&nbsp;<em>La Guerra.<\/em><strong>&nbsp;V\u00edbora<\/strong>, Valencia, 2016;&nbsp;Los Padres,&nbsp;<strong><em>Plaza De Las Cortes<\/em><\/strong><em>,&nbsp;<\/em>Madrid, 2016;&nbsp;<em>Il Sacrificio,&nbsp;<\/em><strong>Centro Cultural Cantieri<\/strong>,&nbsp;Palermo, 2016;<em>La Confesi\u00f3n,<\/em><strong>&nbsp;Konvent Contemporary Art Center,&nbsp;<\/strong>Berga, 2016;&nbsp;<em>Am\u00e9n,&nbsp;<\/em><strong>Konvent Contemporary Art Center<\/strong>, Berga, 2016;&nbsp;<em>Desafectos,&nbsp;<\/em><strong>Centro Cultural Social de Teruel<\/strong><em>,&nbsp;<\/em>Teruel, 2016;&nbsp;<em>Las Horas<\/em>,&nbsp;<strong>Rossmut Gallery<\/strong>, Roma, 2015;&nbsp;<em>Desenterrados: Una visi\u00f3n retrospectiva de la obra subversiva de Abel Azcona<\/em>,&nbsp;<strong>Sala Exposiciones de la Plaza Libertad<\/strong>, Pamplona, 2015;&nbsp;<em>Exp. 09812<\/em>,&nbsp;<strong>Palau de la Festa<\/strong>,&nbsp;Castell\u00f3n, 2015;&nbsp;<em>Feed Me<\/em>,&nbsp;<strong>Galer\u00eda Serendipia<\/strong>,&nbsp;Madrid, 2015;&nbsp;<em>La Calle<\/em>,&nbsp;<strong>Galer\u00eda Liebre<\/strong>,&nbsp;Madrid, 2015;&nbsp;<em>The Shadow,<\/em>&nbsp;<strong>Galer\u00eda Alicia Hevia<\/strong>,&nbsp;Madrid, 2015;<em>The Shadow,&nbsp;<\/em><strong>Palacio Universidad de Valladolid<\/strong>, Valladolid, 2015;<em>The Shadow,<\/em>&nbsp;<strong>Centro El Hueco<\/strong>, Soria, 2015;&nbsp;<em>The Shadow,<\/em>&nbsp;<strong>Centro de Historias<\/strong>, Zaragoza, 2015;&nbsp;<em>The Shadow,&nbsp;<\/em><strong>Palau de la Festa<\/strong>, Castell\u00f3n, 2015;&nbsp;<em>The Shadow,&nbsp;<\/em><strong>Telier de Llum<\/strong>, Tarragona, 2015;&nbsp;<em>El Milagro<\/em>,&nbsp;<strong>The Grey Square<\/strong>,&nbsp;Tarragona, 2015;&nbsp;<em>La \u00daltima Hora<\/em>,&nbsp;<strong>Rossmut Gallery,<\/strong>&nbsp;Roma, 2015;&nbsp;<em>Black Hole<\/em>,&nbsp;<strong>Factor\u00eda de Arte y Desarrollo<\/strong>, Madrid, 2014;&nbsp;<em>No Deseado: Una visi\u00f3n retrospectiva de la obra del artista Abel Azcona<\/em>,&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>, Bogot\u00e1, 2014;&nbsp;<em>Fluids<\/em>,&nbsp;<strong>Leslie Lohman Museum<\/strong>, Nueva York, 2014;&nbsp;<em>Seropositive<\/em>,&nbsp;<strong>Galer\u00eda Serendipia<\/strong>, Madrid, 2014;&nbsp;<em>Reminiscencia<\/em>,&nbsp;<strong>Palacio Kursaal<\/strong>, Donostia-San Sebasti\u00e1n, 2014;&nbsp;<em>\u00datero<\/em>,&nbsp;<strong>Galerie des Pentes,<\/strong>&nbsp;Lyon, 2014;&nbsp;<em>Vaginas An\u00f3nimas<\/em>,&nbsp;<strong>Proyecto Poporopo<\/strong>, Ciudad de Guatemala, 2014;&nbsp;<em>Bloodline,<\/em>&nbsp;<strong>Galer\u00eda Neebex<\/strong>, Bogot\u00e1, 2014;&nbsp;<em>Vaginas An\u00f3nimas<\/em>,&nbsp;<strong>Galer\u00eda Kur<\/strong>, San Sebasti\u00e1n, 2014;&nbsp;<em>Vaginas An\u00f3nimas<\/em>,&nbsp;<strong>ZonAuton\u00f3ma,<\/strong>&nbsp;Puebla de Zaragoza M\u00e9xico, 2014;&nbsp;<em>Vaginas An\u00f3nimas<\/em>,&nbsp;<strong>Casa Nueve<\/strong>, San Andr\u00e9s de Cholula M\u00e9xico, 2014;&nbsp;<em>Nine Container<\/em>,&nbsp;<strong>Galerie des Pentes<\/strong>, Lyon, Francia,&nbsp;2013;&nbsp;<em>La Herida Primaria<\/em>,&nbsp;<strong>Galer\u00eda Neebex<\/strong>, Bogot\u00e1, 2013;&nbsp;<em>Dark Room<\/em>,&nbsp;<strong>Factor\u00eda de Arte y Desarrollo<\/strong>, Madrid, 2013;&nbsp;<em>La Herida Primaria<\/em>,&nbsp;<strong>Villette Enchant\u00e9e<\/strong>, Par\u00eds, 2013;&nbsp;<em>La Herida Primaria<\/em>,&nbsp;<strong>Hidden Gallery<\/strong>, M\u00e1laga, Espa\u00f1a, 2013;<em>&nbsp;I\u00b4m Loving It<\/em>,&nbsp;<strong>Centro de Arte Contempor\u00e1neo de M\u00e1laga,<\/strong>&nbsp;2013;&nbsp;<em>Biological Meeting<\/em>,&nbsp;<strong>Centro Huarte de Arte Contempor\u00e1neo<\/strong>, Huarte, 2013;&nbsp;<em>Eating a Qran<\/em>,&nbsp;<strong>Krudtondem<\/strong>,&nbsp;Copenhague Denmark, 2013;&nbsp;<em>\u00datero<\/em>,&nbsp;<strong>Enclave Pronillo<\/strong>, Santander, 2013;&nbsp;<em>\u00datero,&nbsp;<\/em><strong>Cuarto P\u00fablico,<\/strong>&nbsp;Santiago de Compostela, 2013;&nbsp;<em>The Cure<\/em>,&nbsp;<strong>Museo de Arte Moderno de Bogot\u00e1<\/strong>, Bogot\u00e1,&nbsp;2012;&nbsp;<em>El Peque\u00f1o Pez<\/em>,&nbsp;<strong>Galer\u00eda Orizuru<\/strong>, Pamplona, 2012;&nbsp;<em>Eating a Qran,<\/em>&nbsp;<strong>The College of Performing Arts de Universit\u00e4t der K\u00fcnste Berlin<\/strong>, 2012, \u00datero,&nbsp;<strong>El Barrio de los Artista<\/strong>s, 2011; entre otras.<\/p>\n\n\n\n<p><em>Desenterrados: Una Visi\u00f3n Retrospectiva de la obra subversiva del artista Abel Azcona,<\/em>&nbsp;con todas las primeras obras del artista en&nbsp;<strong>Sala de Exposiciones de la Plaza de la Libertad de Pamplona<\/strong>&nbsp;los a\u00f1os 2015 y 2016. En el a\u00f1o 2014 el&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>&nbsp;le dedic\u00f3 otra exposici\u00f3n retrospectiva&nbsp;<em>No Deseado<\/em>, por el v\u00ednculo del artista a la ciudad colombiana.&nbsp;Un a\u00f1o despu\u00e9s, Madrid, Barcelona y Valencia le dedican tres exposiciones que albergan casi la totalidad de la obra del artista. De esta forma&nbsp;<strong>Museari, Museu del Imaginari&nbsp;<\/strong>en Valencia,&nbsp;y&nbsp;<strong>La Juan Gallery&nbsp;<\/strong>en Madrid,&nbsp;albergaron ambas exposiciones&nbsp;<a href=\"https:\/\/www.uv.es\/uvweb\/universidad\/es\/listado-noticias\/performer-abel-azcona-inaugura-retrospectiva-conferencia-universitat-1285846070123\/Noticia.html?id=1285990733989\"><em>La L\u00ednea de tu Espalda<\/em><\/a>&nbsp;y&nbsp;<a href=\"http:\/\/www.elmundo.es\/madrid\/2017\/11\/10\/5a049b4f268e3e4e478b464d.html\"><em>La Extinci\u00f3n del Deseo<\/em><\/a>&nbsp;con una amplia selecci\u00f3n de obras relacionadas con la sexualidad, el abuso y la prostituci\u00f3n.&nbsp;<strong>La F\u00e0brica de les Arts Roca Umbert<\/strong>&nbsp;en Granollers \u2013 Barcelona, acompa\u00f1\u00f3 el proyecto&nbsp;<em>Naturaleza Muerta<\/em>&nbsp;con m\u00e1s de cincuenta obras de Azcona relacionadas con la muerte. Del a\u00f1o 2017 al 2018 con motivo del regreso del artista a Colombia, las ciudades de Popay\u00e1n y Manizales,&nbsp;<strong>Museo de la Universidad de Cauca<\/strong>&nbsp;y&nbsp;<strong>Alianza Francesa de Manizales<\/strong>&nbsp;inauguran ambas exposiciones retrospectivas&nbsp;<em>No Deseado<\/em>&nbsp;y&nbsp;<em>Memorias de un abandono: una visi\u00f3n retrospectiva de la obra biogr\u00e1fica de Abel Azcona 1988-2018<\/em>,&nbsp;organizadas por el&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>&nbsp;y el&nbsp;<strong>Ministerio de Cultura de Colombia.<\/strong>&nbsp;En 2018,&nbsp;<strong>Art Space M\u00e9xico<\/strong>&nbsp;en colaboraci\u00f3n con el&nbsp;<strong>Museo de Ciudad de M\u00e9xico<\/strong>, presenta&nbsp;<em>Empoderados<\/em>, exposici\u00f3n que re\u00fane decenas de piezas del artista vinculadas al activismo social.<\/p>\n\n\n\n<p><strong>Azcona<\/strong>&nbsp;tambi\u00e9n ha participado en numerosas bienales, festivales y eventos de Arte Contempor\u00e1neo como (selecci\u00f3n):&nbsp;<em>FUGA Exploraciones Sonoras<\/em>,&nbsp;<strong>Museo de Arte y Tecnolog\u00eda Etop\u00eda de Zaragoza<\/strong>, 2019; Poisons,&nbsp;<strong>Galerie Feu de Besan\u00e7on, Francia<\/strong>, 2019;&nbsp;<em>Cuerpos Pol\u00edticos<\/em>,&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>, 2019;&nbsp;<em>Festival E\u00f1e<\/em>,&nbsp;<strong>C\u00edrculo de Bellas Artes de Madrid<\/strong>, 2018;&nbsp;<em>Asian Art Biennale<\/em>,&nbsp;<strong>National Art Gallery of Bangladesh<\/strong>, 2018;&nbsp;<em>Sin Mordazas<\/em>,&nbsp;<strong>Casa Planas,<\/strong>&nbsp;Mallorca, 2018;&nbsp;<em>Esperando a Thoreau: Expresiones Desobedientes,&nbsp;<\/em>Montevideo Uruguay, 2018,&nbsp;Santo Domingo Rep\u00fablica Dominicana, 2017, Asunci\u00f3n, Paraguay, 2017, Tegucigalpa, Honduras, 2017, Madrid, 2016;&nbsp;<em>Visiones Contempor\u00e1neas<\/em>,&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>, 2017;&nbsp;<a href=\"http:\/\/www.observerbd.com\/details.php?id=56452\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Dhaka Live Art Biennale<\/em><\/a>,&nbsp;Dhaka, Bangladesh, 2017;&nbsp;<em>Experimental Action,&nbsp;<\/em>Houston, Estados Unidos, 2017;&nbsp;<em>CORPO<\/em>,&nbsp;Venecia, Italia,&nbsp;2017,&nbsp;la obra 268 en la Isla de San Servolo,&nbsp;Venecia, Italia, paralelamente a la&nbsp;<strong>Bienal de Venecia 2017<\/strong>,&nbsp;invitado por&nbsp;<strong>Centro di Archiviazione e Promozione della Performing Art CAPPA<\/strong>&nbsp;junto a otros artistas como Hermann Nitsch y Otto Muehl, precursores del accionismo vien\u00e9s;&nbsp;<em>HE 2017<\/em>,&nbsp;Los \u00c1ngeles, Estados Unidos, 2017;<em>&nbsp;Art Photo Barcelona,&nbsp;<\/em><strong>Fundaci\u00f3 Enric Miralles,<\/strong>Barcelona, 2017;&nbsp;<em>Art Verona,&nbsp;<\/em><strong>Italian Contemporary Art Fair<\/strong><em>,&nbsp;Verona, 2017 &amp; 2016;&nbsp;Maco Foto<\/em>,&nbsp;<strong>Feria de Fotograf\u00eda de Ciudad de M\u00e9xico<\/strong>, 2017 &amp; 2016,&nbsp;<em>V Bienal Internacional de Performance Deformes<\/em>,&nbsp;Santiago de Chile, 2016;&nbsp;<em>Sicilia Queer Film Festival<\/em>,&nbsp;Palermo, Italia, 2016;&nbsp;<em>Intramurs<\/em>, Valencia,&nbsp;2016;&nbsp;<em>Zona MACO<\/em>,&nbsp;<strong>Feria de Arte Contempor\u00e1neo de M\u00e9xico<\/strong>, Ciudad de M\u00e9xico, 2016 &amp; 2015;&nbsp;<em>Art Is Hope,<\/em>&nbsp;<strong>Palais de Tokyo<\/strong>,&nbsp;<strong>PIASA<\/strong>,&nbsp;<strong>Galerie Perrotin<\/strong>, Par\u00eds, 2015, 2014 &amp; 2013;&nbsp;<em>Festival Internacional de Performance de Rep\u00fablica Dominicana<\/em>,&nbsp;Santo Domingo, 2015;&nbsp;<em>Festival No Somos Tan Raros<\/em>, Alicante, &nbsp;Espa\u00f1a, 2015;&nbsp;<em>MARTE,&nbsp;<\/em><strong>Feria Arte Contempor\u00e1neo del Arte Mediterr\u00e1neo,<\/strong>&nbsp;Castell\u00f3n, 2015;&nbsp;<em>Wonderlust Porn Festival<\/em>,&nbsp;Helsinki, Finlandia, 2015;&nbsp;<em>La pieza Empathy And Prostitution &nbsp;en el marco de&nbsp;<\/em><strong><em>ARCO Feria Internacional de Arte Contempor\u00e1neo,&nbsp;<\/em><\/strong><em>Madrid, en el a\u00f1o 2015;&nbsp;Out Of Mind<\/em>,&nbsp;<strong>Centro de Historias de Zaragoza<\/strong>,&nbsp;2015;&nbsp;<em>Art &amp; Breakfast<\/em>,&nbsp;M\u00e1laga Espa\u00f1a, 2015;&nbsp;<em>Bogot\u00e1 International Performance Art Festival<\/em>,&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>,&nbsp;Bogot\u00e1,&nbsp;2015 &amp; 2014;&nbsp;<em>Pamplona International Performance Art Festival,&nbsp;<\/em>Pamplona,&nbsp;2015 &amp; 2014;&nbsp;<em>Houston International Performance Art Biennale<\/em>,<strong>&nbsp;Art League Houston, Box 13<\/strong>, Houston, 2014;&nbsp;<em>Di\u00e1logos de Acci\u00f3n<\/em>,&nbsp;Bogot\u00e1, 2014;&nbsp;<em>Lone Star Explosion Art Biennial,&nbsp;<\/em>Houston Estados Unidos, 2014;&nbsp;<em>Cuerpo y Poder<\/em>,&nbsp;Madrid, 2014;&nbsp;<em>Queer New York International Arts Festival,&nbsp;<\/em><strong><em>Abrons Art Center<\/em><\/strong><em>,&nbsp;<\/em><strong><em>Grace Exhibition Space<\/em><\/strong><em>,&nbsp;<\/em><strong><em>Leslie Lohman Museum<\/em><\/strong><em>,<\/em>&nbsp;Nueva York, 2014;&nbsp;<em>Queer MAD<\/em>,&nbsp;Madrid, 2014;&nbsp;<em>The in.Tension<\/em>,&nbsp;<strong>Institut Sup\u00e9rieur des Beaux-Arts de Besan\u00e7on<\/strong>, Francia, &nbsp;2014;&nbsp;<em>Mu\u00f1ecos de Loza<\/em>,&nbsp;<strong>Museo de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>,&nbsp;Bogot\u00e1, 2014;&nbsp;<em>ArtBO<\/em>,&nbsp;<strong>Feria de Arte Contempor\u00e1neo de Bogot\u00e1<\/strong>, 2014;&nbsp;<em>Donostiartean<\/em>,&nbsp;<strong>Feria de Arte en Kursaal de San Sebastian<\/strong>, San Sebasti\u00e1n, 2014;&nbsp;<em>Acci\u00f3n en Vivo y Diferido<\/em>,&nbsp;Bogot\u00e1,&nbsp;2014 &amp; 2013;&nbsp;<em>Accionarar<\/em>, Anolaima Colombia,&nbsp;2014 &amp; 2013;&nbsp;<em>Nine Container<\/em>&nbsp;se present\u00f3 en el marco oficial de la&nbsp;<strong>Biennale de Lyon<\/strong>, Lyon, Francia, en el a\u00f1o 2013;&nbsp;<em>Habitaccion<\/em>, Bogot\u00e1, 2013;&nbsp;<em>Gallery Weekend<\/em>, Santander, 2013;&nbsp;INAI Intercambios N\u00f3madas,&nbsp;Bogot\u00e1,&nbsp;2013;&nbsp;<a href=\"https:\/\/www.beton7.com\/index.php\/en\/program\/exhibitions\/item\/127-the-in-tension-epitelesis-performance-art-foundation-nov-13.html\"><em>The in-Tension<\/em><\/a>,&nbsp;<strong>Helenic Centre for Photography<\/strong>,&nbsp;Atenas, 2013;&nbsp;<em>Salhaketa<\/em>,&nbsp;Pamplona, 2013;&nbsp;<em>Dimanche Rouge<\/em>,&nbsp;<strong>La Villette Enchant\u00e9e<\/strong>,&nbsp;Par\u00eds, 2013;&nbsp;<a href=\"http:\/\/www.miamiperformancefestival.org\/The_Festival_13_Espanol.html\"><em>Miami Performance Art Festival<\/em><\/a>,&nbsp;Miami,&nbsp;2013;&nbsp;<em>Cuarto P\u00fablico,<\/em>&nbsp;<strong>Feria de Arte Contempor\u00e1neo de Santiago de Compostela<\/strong>, 2013;&nbsp;<em>Espacio e Identidad<\/em>,&nbsp;Madrid, 2013;&nbsp;<a href=\"https:\/\/www.beton7.com\/index.php\/en\/program\/exhibitions\/item\/127-the-in-tension-epitelesis-performance-art-foundation-nov-13.html\"><em>Athens Photo Festival<\/em><\/a>, Atenas, 2013;&nbsp;<em>Room Art Fair<\/em>, Madrid, 2013;&nbsp;<em>Tama Tupada Action Media Art<\/em>, Manila, Filipinas, 2012;&nbsp;<em>Ca\u00edda y Recuperaci\u00f3n,&nbsp;<\/em>Bogot\u00e1 Colombia, 2012;&nbsp;<em>El Barrio de los Artistas<\/em>,&nbsp;<strong>Pamplona<\/strong>, 2011 &amp; 2010; entre otros.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pincha en esta direcci\u00f3n para ver la entrevista que ha realizado la EASDP con Abel Azcona: Curriculum de Abel Azcona: Su obra ha sido creada y presentada en importantes museos, instituciones y galer\u00edas de arte contempor\u00e1neo como el&nbsp;Arsenal de Venecia, el&nbsp;Museo de Arte Moderno de Bogot\u00e1, el&nbsp;Art League de Houston, el&nbsp;Museo Ramirez Villamizar, el&nbsp;Leslie Lohman [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":36370,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[26,171,3,855,1,28],"tags":[],"_links":{"self":[{"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/posts\/36367"}],"collection":[{"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/comments?post=36367"}],"version-history":[{"count":1,"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/posts\/36367\/revisions"}],"predecessor-version":[{"id":36369,"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/posts\/36367\/revisions\/36369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/media\/36370"}],"wp:attachment":[{"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/media?parent=36367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/categories?post=36367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/escueladeartesuperior.educacion.navarra.es\/web\/wp-json\/wp\/v2\/tags?post=36367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}